3.23.2006


basketball has been my best friend
I found my best friends in basketball court Posted by Picasa

3.12.2006

I’m not THEY

Far beyond the boundaries of
What they call good

I feel being guided in wrong


Far from whom
I always wanted to be

Been the instrument playing their song


The illusions, the images, walking by my window

Staring in my wet eyes…

Been too innocent, been so fool

Searched for my saviors in skies…


I feel
I am lost
Somewhere in morality

I want
No pain
No guilt
For the others

But it’s all in me

…

Come
Come
Take my hand

We must run
They are coming after us
Coming after our mind

After our wisdom
Want us deaf and blind

I shall doubt in my existence
There is nothing to be sure of

Except those pulses my brain sends


Won’t let my life to be formulated

By that of written in books


Won’t let them choose my destiny

I read ignorance in their looks


Free to be, free to chose

Was given the one time chance

To think, to understand

The reason of my existence…

SINA MESDAGHI
MARCH 13, 2006

afghani workers with weapons of mass destruction! shohada square-mashad, march 2006 Posted by Picasa

behind the row of shops in the street, these ruins are all left of old traditional urban context! Posted by Picasa

ahmadi nejad is perhabs looking at what is happening is Shohada square in mashad! he is smiling :P Posted by Picasa

Mashadi's wonder what is happening in their city-SHOHADA SQUARE URBAN DESIGN PROJECT... public participation 0% !!! Posted by Picasa

i took some pictures for my Urban Design project, mashhad March 2006 Posted by Picasa

2.07.2006

در نظر لکوربوزیه شخصيت انسان مدرن در نقش يك ورزشكار و يك مبارزه شكل مي‌گيرد. ‌بوكسور نمادي از تصوير يك هنرمند آوانت گارد است، كه مانند يك هنجار شكن با خشونت‌معيارها و ساختارهاي شكل دهنده زندگي روزمره را باز تعريف ميكند

2.03.2006


Sohrab and I made this snow sculpture in the backyard of my cave in mashhad a few days ago. Sohrab called it "Snow Bride". Posted by Picasa

1.14.2006


مكان جايي است كه عباراتي مانند نياز، دانستن، توانستن، لذت بردن و منتفع شدن در آن معنا مي‌گيرد و معماري به عنوان يك هنر ابزاري در خدمت هر روزگي است
زندگي، داشتن، يافتن و روي دادن است
مكان تجليگاه عيني زيست جهان است و معماري هنر مكان مي باشد
كريستين نوربرگ شولتس

Naghsh e jahan square, Esfehan, Spring 2003 Posted by Picasa

red balloon, masjed shah, Esfehan, Spring 2003 Posted by Picasa

chehel soton_esfehan, spring 2003 Posted by Picasa

Esfehan nesfe jahan(Half of the world), where is the other half? is it virtual as the 20 columns of Chehel Soton (40 columns)? Posted by Picasa

1.10.2006

Tehran

empty of anything new
my life is repeated action
of subway station

empty of new thoughts
my mind is sustained
in the frozen books

my meaningless life
my eyes can not maneuver
any further than their ugly looks

my shaking leg
in every step that I take
of uncertainty

my automated days
dealing with primitive education
thinking is forbidden

surrounded by smiling puppets
with sever brain malfunction
no questions are written

neglected in the charts
my name is missing
in the automated lists

being on the edge
I avoided the inside
For that my hopes may survive

Sina Mesdaghi
Jan 10, 06

12.14.2005